https://www.peren-revues.fr/revue-k/665 Publications de Auteurs Stefania Guglielmo fr 0 https://www.peren-revues.fr/revue-k/1358 mer., 26 juin 2024 08:41:15 +0200 mar., 29 oct. 2024 09:49:52 +0100 https://www.peren-revues.fr/revue-k/1358 https://www.peren-revues.fr/revue-k/1055 The aim of the text is to propose a reading of the Greek tragedy Medea starting from Jacques Derrida's thought. The stakes of this work are not limited to applying some key elements of deconstruction to the figure of Medea. Above all, the essay aims to show how the story of this barbarian woman from Colchis can embody and clarify some fundamental concepts proposed by Derrida to rethink the dimension of the political. Medea is a figure very close to what in Derrida's philosophy is called The Other and her story, narrated by Euripides, gives an idea of the extreme and provocative character that always belongs to absolute hospitality. jeu., 18 janv. 2024 15:25:47 +0100 jeu., 15 févr. 2024 13:52:49 +0100 https://www.peren-revues.fr/revue-k/1055 https://www.peren-revues.fr/revue-k/1003 mer., 17 janv. 2024 10:06:07 +0100 jeu., 15 févr. 2024 10:37:37 +0100 https://www.peren-revues.fr/revue-k/1003 https://www.peren-revues.fr/revue-k/660 The article focuses on Joan of Arc as a figure who can embody Jacques Derrida’s reflections on the gaze and tears. In his texts, Derrida proposes the distinction between eyes that see and eyes that are seen. According to Derrida, blinding is what reveals the truth of the gaze, and it is not the eyes that see, but only the tears that blur vision. The thesis of this paper is that Joan of Arc is an emblematic figure of the emotion that has always been removed from the regime of the authority of seeing. Her tear-filled gaze, as depicted by director Dreyer, can subvert the opposition between the visible and invisible. mer., 10 janv. 2024 10:51:14 +0100 jeu., 15 févr. 2024 17:38:29 +0100 https://www.peren-revues.fr/revue-k/660