https://www.peren-revues.fr/revue-k/669 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/666 Marcel Duchamp (1887-1968) is considered to be the father of conceptual art, and his work is understood in terms of indifference, detachment and sometimes alchemy. This text is inspired by my publication (20191), which argues, on the contrary, that the destruction of the myths that led to the First and then the Second World Wars, and of the mechanisms of propaganda that were theorised at that time, is at the heart of his work. Here I refer to the myth of Joan of Arc, which I analyse the imprint left in his major works Le Grand Verre (1915-2923) and Étant Donnés (1946-1968). I take a critical look at the notion of collective emotion as I perceive it in the work of Duchamp, who was born in Rouen at the same time as the monument to Joan of Arc was being built in Bonsecours, on the heights of the city. mer., 10 janv. 2024 11:42:27 +0100 jeu., 15 févr. 2024 17:58:12 +0100 https://www.peren-revues.fr/revue-k/666