https://www.peren-revues.fr/revue-k/680 Publications de Auteurs Irene Calabrò fr 0 https://www.peren-revues.fr/revue-k/1549 The paper aims to investigate the critique of physics and modern science, and in particular the notion of probability, and the relationship between possibility and reality, through Giorgio Agamben’s book on disappearance of Ettore Majorana. Although Agamben does not believe that Majorana decided to disappear in order not to participate in the landing of Fermi and his collaborators on the atomic bomb, as thinks Leonardo Sciascia, this contribution tries to show how, in fact, the figure of Majorana is crucial in Agamben’s considerations of the status of technology and science today, thus, above all, for his reflections around the atomic bomb and the self-destruction of humanity. sam., 05 juil. 2025 16:00:30 +0200 sam., 05 juil. 2025 16:08:06 +0200 https://www.peren-revues.fr/revue-k/1549 https://www.peren-revues.fr/revue-k/1478 The paper aims to investigate Helen’s apparition in Goethe’s Faust II, through Walter Benjamin’s Goethes Wahlverwandtschafen, essay written between 1921 and 1923, in which Benjamin reads Goethe’s novel Die Wahlverwandtschafen. In his essay, Benjamin focuses on Ottilie, whose beauty, in Goethe’s novel, represents an innovation in front of epic and mythological narration. Comparing Ottilie “apparent beauty” to that of Helen in Faust, an incredible closeness between Goethe and Euripides is revealed, insofar as apparent beauty is a sort of mythological fundamental of all wars. dim., 26 janv. 2025 20:24:21 +0100 dim., 26 janv. 2025 20:24:21 +0100 https://www.peren-revues.fr/revue-k/1478 https://www.peren-revues.fr/revue-k/1358 mer., 26 juin 2024 08:41:15 +0200 mar., 29 oct. 2024 09:49:52 +0100 https://www.peren-revues.fr/revue-k/1358 https://www.peren-revues.fr/revue-k/1138 Starting from music video by The Carters performing Apeshit, where the two Afro-Americans artists celebrate their socioeconomic success, becoming icons that represent the redemption of black people, this paper tries to reflect on the relationship between icon and redemption in capitalistic socioeconomic system - relationship that develops from Christology’s “economic of salvation” and the historical domain of whiteness. mer., 24 janv. 2024 12:07:10 +0100 mar., 02 avril 2024 10:45:36 +0200 https://www.peren-revues.fr/revue-k/1138 https://www.peren-revues.fr/revue-k/1116 mer., 24 janv. 2024 09:42:05 +0100 mer., 14 févr. 2024 15:45:08 +0100 https://www.peren-revues.fr/revue-k/1116 https://www.peren-revues.fr/revue-k/1003 mer., 17 janv. 2024 10:06:07 +0100 jeu., 15 févr. 2024 10:37:37 +0100 https://www.peren-revues.fr/revue-k/1003 https://www.peren-revues.fr/revue-k/858 This paper tries to think together Bruno and Caravaggio starting from two images: Caravaggio’s Flagellation of Christ, created for the Church of San Domenico Maggiore, and Bruno’s image of Acton metamorphosis from De gli eroici furori. The two images, through the motif of the shadow, present a body’s metamorphosis, that is sign of an ethical and political transformation. lun., 15 janv. 2024 10:48:17 +0100 mar., 13 févr. 2024 10:35:47 +0100 https://www.peren-revues.fr/revue-k/858 https://www.peren-revues.fr/revue-k/756 This paper aims to reflect on Malevich’s “Renaissance” period in relation to suprematism revolution. In particular, the paper aims to comment Malevich’s Female worker (1933) seen as an icon. Female worker’s fundamental motifs – motherhood, black, absence, shadow; the signature: a little square – invite us to reflect on artistic and politic revolution of late Malevich. ven., 12 janv. 2024 15:16:45 +0100 jeu., 15 févr. 2024 15:21:44 +0100 https://www.peren-revues.fr/revue-k/756 https://www.peren-revues.fr/revue-k/677 The paper aims to investigate the presence of Dreyer’s La passion de Jeanne d’Arc (1927) in Jean-Luc Godard’s Vivre sa vie (1962) and Notre musique (2004). Through an analysis of the shot and reverse shot technique employed by Godard in the sequences in which Nana and Olga converse with Dreyer’s film, the contribution attempts to show how the Godard work can open a destitute image of woman, the embodiment of an escape from any order of discourse. mer., 10 janv. 2024 15:16:14 +0100 mer., 05 juin 2024 14:12:36 +0200 https://www.peren-revues.fr/revue-k/677