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    <title>Suprematism</title>
    <link>https://www.peren-revues.fr/revue-k/706</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
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      <title>Verso il nulla creatore</title>
      <link>https://www.peren-revues.fr/revue-k/702</link>
      <description>Between 1921 and 1922, while in Vitebsk, Malevič wrote three theoretical texts that help to understand his particular position within Soviet Russia. His critique of the catastrophic nature of “practical realism” and the exaltation of inactivity underlie a condemnation of instrumental reason and progress at the basis of machine civilization but also a warning to the new Soviet regime not to fall into the trap of productivism so as not to betray the promises of revolution. </description>
      <pubDate>jeu., 11 janv. 2024 10:21:33 +0100</pubDate>
      <lastBuildDate>jeu., 15 févr. 2024 14:18:22 +0100</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/revue-k/702</guid>
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    <item>
      <title>Le architetture          impossibili di Malevič: verso una nuova forma di “abitare          urbano”</title>
      <link>https://www.peren-revues.fr/revue-k/751</link>
      <description>With the exhibition of         the monochrome White on         White, Kazimir Malevič completes the Suprematist forms         translation onto canvas. Following the declared exhaustion of painting         expressive possibilities, his attention turns to the world         transformation according to the Suprematism principles. The dilemma         remained on how to overcome the assumption that art is exempt from any         kind of utilitarian impulse that was ill-suited to the functions of         architecture. This text attempts to position Malevič’s architectural         theory as essential postulate for the construction of the future         city. </description>
      <pubDate>ven., 12 janv. 2024 14:35:16 +0100</pubDate>
      <lastBuildDate>ven., 12 janv. 2024 14:35:35 +0100</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/revue-k/751</guid>
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    <item>
      <title>Malevich in the movies:          Kisses, sensations, or five paradoxes</title>
      <link>https://www.peren-revues.fr/revue-k/724</link>
      <description>The contribution examines         four topics in Malevich’s writings on film: the images of rubbery         eroticism that are striking in Malevich’s discussion of film; the         opposition of dead and alive, attributed to painting and film; the         connection of dynamics and perception and disconnection of mimesis and         perception and the way how Malevich conceptualized it for film and         painting; Malevich’s effort to elaborate a new language of description         for visual and literary phenomena, to find the language that fixes the         transition from visuality to literacy and vice versa. </description>
      <pubDate>ven., 12 janv. 2024 09:13:45 +0100</pubDate>
      <lastBuildDate>ven., 12 janv. 2024 09:14:03 +0100</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/revue-k/724</guid>
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