https://www.peren-revues.fr/revue-k/727 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/724 The contribution examines four topics in Malevich’s writings on film: the images of rubbery eroticism that are striking in Malevich’s discussion of film; the opposition of dead and alive, attributed to painting and film; the connection of dynamics and perception and disconnection of mimesis and perception and the way how Malevich conceptualized it for film and painting; Malevich’s effort to elaborate a new language of description for visual and literary phenomena, to find the language that fixes the transition from visuality to literacy and vice versa. ven., 12 janv. 2024 09:13:45 +0100 ven., 12 janv. 2024 09:14:03 +0100 https://www.peren-revues.fr/revue-k/724