https://www.peren-revues.fr/revue-k/746 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1138 Starting from music video by The Carters performing Apeshit, where the two Afro-Americans artists celebrate their socioeconomic success, becoming icons that represent the redemption of black people, this paper tries to reflect on the relationship between icon and redemption in capitalistic socioeconomic system - relationship that develops from Christology’s “economic of salvation” and the historical domain of whiteness. mer., 24 janv. 2024 12:07:10 +0100 mar., 02 avril 2024 10:45:36 +0200 https://www.peren-revues.fr/revue-k/1138 https://www.peren-revues.fr/revue-k/745 This paper is an analysis of Malevič’s Suprematist works, interpreted as a dismissal of the symbolic order of vision within the image. In this regard, Malevič’s operation will be described as a politics of the gaze in the face of future catastrophe, guided by the question: how can we imagine future catastrophe if we only have images of the past? It will thus be seen how, by taking this paradigm of vision seriously, it will be possible to imagine a politics of the gaze in the face of catastrophe, through the icon. ven., 12 janv. 2024 14:07:25 +0100 ven., 12 janv. 2024 14:18:14 +0100 https://www.peren-revues.fr/revue-k/745