https://www.peren-revues.fr/revue-k/748 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/745 This paper is an analysis of Malevič’s Suprematist works, interpreted as a dismissal of the symbolic order of vision within the image. In this regard, Malevič’s operation will be described as a politics of the gaze in the face of future catastrophe, guided by the question: how can we imagine future catastrophe if we only have images of the past? It will thus be seen how, by taking this paradigm of vision seriously, it will be possible to imagine a politics of the gaze in the face of catastrophe, through the icon. ven., 12 janv. 2024 14:07:25 +0100 ven., 12 janv. 2024 14:18:14 +0100 https://www.peren-revues.fr/revue-k/745