https://www.peren-revues.fr/revue-k/756 This paper aims to reflect on Malevich’s “Renaissance” period in relation to suprematism revolution. In particular, the paper aims to comment Malevich’s Female worker (1933) seen as an icon. Female worker’s fundamental motifs – motherhood, black, absence, shadow; the signature: a little square – invite us to reflect on artistic and politic revolution of late Malevich. Numéros Malevich: Unconditional Revolution Readings fr ven., 12 janv. 2024 15:16:45 +0100 jeu., 15 févr. 2024 15:21:44 +0100 https://www.peren-revues.fr/revue-k/756 0