https://www.peren-revues.fr/revue-k/758 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/756 This paper aims to reflect on Malevich’s “Renaissance” period in relation to suprematism revolution. In particular, the paper aims to comment Malevich’s Female worker (1933) seen as an icon. Female worker’s fundamental motifs – motherhood, black, absence, shadow; the signature: a little square – invite us to reflect on artistic and politic revolution of late Malevich. ven., 12 janv. 2024 15:16:45 +0100 jeu., 15 févr. 2024 15:21:44 +0100 https://www.peren-revues.fr/revue-k/756 https://www.peren-revues.fr/revue-k/858 This paper tries to think together Bruno and Caravaggio starting from two images: Caravaggio’s Flagellation of Christ, created for the Church of San Domenico Maggiore, and Bruno’s image of Acton metamorphosis from De gli eroici furori. The two images, through the motif of the shadow, present a body’s metamorphosis, that is sign of an ethical and political transformation. lun., 15 janv. 2024 10:48:17 +0100 mar., 13 févr. 2024 10:35:47 +0100 https://www.peren-revues.fr/revue-k/858 https://www.peren-revues.fr/revue-k/791 The paper reflects on the relationship between Joyce and Bruno starting from biographical considerations, to take account of their shared concepts of shadowiness and infinity. Bruno’s influence on Joyce is clear in the critical writings, the letters and in his major works, Ulysses and Finnegans Wake. It is Ulysses that Bruno actually materializes as a character, as this paper argues, but it will be in Finnegans Wake that some of the teachings of the nolana philosophia will be used by Joyce in his attempt to write down the history of manking from the perspective of linguistic relativity. lun., 15 janv. 2024 08:43:54 +0100 lun., 15 janv. 2024 08:44:11 +0100 https://www.peren-revues.fr/revue-k/791