https://www.peren-revues.fr/revue-k/77 Publications de Auteurs Luca Salza fr 0 https://www.peren-revues.fr/revue-k/1800 lun., 13 juil. 2026 22:44:50 +0200 lun., 13 juil. 2026 22:46:16 +0200 https://www.peren-revues.fr/revue-k/1800 https://www.peren-revues.fr/revue-k/1547 ven., 04 juil. 2025 22:01:45 +0200 sam., 05 juil. 2025 16:21:46 +0200 https://www.peren-revues.fr/revue-k/1547 https://www.peren-revues.fr/revue-k/1543 This essay picks up the thread of an ancient, Brechtian discourse on the relationship between science and politics, seeking to revitalize the question of communism. Communism is the social system in which the development of productive forces is such that everyone can become wise. After the Hiroshima bomb, under the Gaza bombs, how do we fight, here and now, for this ancient revolution? If we recognize in science, in its inseparability from technique, in its usefulness, the engine of production (and destruction) of the order of domination today, we must, with Majorana, desert this world. ven., 04 juil. 2025 19:19:55 +0200 sam., 05 juil. 2025 16:16:25 +0200 https://www.peren-revues.fr/revue-k/1543 https://www.peren-revues.fr/revue-k/1161 In De Rerum Natura, the great associations between atoms are unstable and cannot last.  As things move, meaninglessly and in an infinite vacuum, they violently collide with each other, causing everything to unravel. In this article, we ask whether Lucretius also offers us ways of 'practising' catastrophe.  The hypothesis we formulate here is that the choice of poetry constitutes a 'practice' of this worldview. jeu., 25 janv. 2024 16:28:11 +0100 jeu., 25 janv. 2024 16:28:26 +0100 https://www.peren-revues.fr/revue-k/1161 https://www.peren-revues.fr/revue-k/1002 mer., 17 janv. 2024 09:08:47 +0100 lun., 21 juil. 2025 23:35:51 +0200 https://www.peren-revues.fr/revue-k/1002 https://www.peren-revues.fr/revue-k/965 This article attempts to wrest Medea from a reading focused only on the tragic. Medea is the “historical” name of a woman who suffers all the consequences of war. What to do in this torment? Medea either suffers her condition or turns into a lioness (Euripides, Mishima) and goes off to war. Her war is, however, like all ‘wars of the poor’, a war of liberation (Pasolini, Olavo). Medea also suggests the possibility of a definitive exit from the world of war created by patriarchy and imperialism: a permanent wandering on the chariot of the Sun (Giordano Bruno). mar., 16 janv. 2024 08:38:38 +0100 mer., 17 avril 2024 08:38:43 +0200 https://www.peren-revues.fr/revue-k/965 https://www.peren-revues.fr/revue-k/843 lun., 15 janv. 2024 10:02:02 +0100 mar., 13 févr. 2024 10:17:50 +0100 https://www.peren-revues.fr/revue-k/843 https://www.peren-revues.fr/revue-k/787 A new theorization of the power enables Bruno to think of the infinite: the infinite gives a changing open multiple character to the universe. Bruno brings forward an idea of nature as a continuous production, that makes each form becoming a different one in an everlasting rhythm, which he calls “vicissitude”. How to imagine the human world in this infinite universe, agitated on all sides and in continuous evolution? Thanks to a reform of imagination, Bruno thinks of some “civil” institutions able to take in consideration the temporary and metamorphic status of nature and man. According to us, these institutions appear as a “destituent power”. lun., 15 janv. 2024 08:39:37 +0100 mar., 13 févr. 2024 10:28:03 +0100 https://www.peren-revues.fr/revue-k/787 https://www.peren-revues.fr/revue-k/618 Joan of Arc often cries. As Dreyer shows in his film, La Passion de Jeanne d’Arc, these tears are testimony to her suffering before some unjust judges, but they also allow her to unleash another time within her time. This contribution attempts to show how a status of powerlessness, expressed in weeping, can be transformed into a possibility for collective action. ven., 05 janv. 2024 16:34:51 +0100 jeu., 15 févr. 2024 16:39:26 +0100 https://www.peren-revues.fr/revue-k/618 https://www.peren-revues.fr/revue-k/534 Which space does the Tramp live in? The hypothesis underlying this article is that the Tramp, is a figure that (does not) embodies the crowd of millions of poor, migrants, unemployed, homeless (that ‘class’ named the ‘Planetariat’ by the poet Jack Hirschman). A Tramp is nothing more than one of the silhouettes of this innumerable crowd. He moves in a desert which is the result of the “age of catastrophe” (Hobsbawm) we have been living in since 1914. Inside and within the catastrophe, the vagabond’s laugh expresses a way of being in the world, a practice of disaster. mar., 02 janv. 2024 15:12:56 +0100 mar., 02 janv. 2024 15:24:20 +0100 https://www.peren-revues.fr/revue-k/534