https://www.peren-revues.fr/revue-k/853 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1556 By focusing on Gianni Amelio’s film I ragazzi di via Panisperna, this paper aims to show the exemplary character of the disappearance of Ettore Majorana starting from the interpretations by Leonardo Sciascia and Giorgio Agamben. Starting from the idea of “simplicity” as an aesthetical answer to the question raised by Majorana’s story, the analysis will attempt to highlight the main filmic strategies employed to represent the life of the young scientist and its consequences for a theory of biographical narrative. sam., 05 juil. 2025 17:52:44 +0200 sam., 05 juil. 2025 17:52:44 +0200 https://www.peren-revues.fr/revue-k/1556 https://www.peren-revues.fr/revue-k/851 Giuliano Montaldo’s Giordano Bruno is a biopic that marks a turn in the history of Italian biographical cinema. This essay analyses this movie in the light of Bruno’s thought, highlighting its relevance for the present “biographical turn” as well as the importance of film theory and practice in the framework of the so-called “Italian Thought”. By considering them as strictly intertwined, the essay aims at underlying the crucial theoretical role played by biopics in the definition of specific key concepts of the present time. lun., 15 janv. 2024 10:27:00 +0100 lun., 15 janv. 2024 10:28:09 +0100 https://www.peren-revues.fr/revue-k/851