https://www.peren-revues.fr/revue-k/904 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/961 “Who is Pinocchio?” Around this question goes this contribution aimed at exploring the relationship that Collodi's novel has with the cinematographic dimension. In particular, this article is inspired by the latest film version of Pinocchio, edited by Matteo Garrone. The remarkable adherence to the spirit that runs through Collodi's text makes Garrone's work one of the most representative of the contemporary film scenario. lun., 15 janv. 2024 12:15:51 +0100 mar., 13 févr. 2024 11:24:56 +0100 https://www.peren-revues.fr/revue-k/961 https://www.peren-revues.fr/revue-k/903 Collodi’s Pinocchio can be read as a psychoanalytical novel, interpreting its characters as conceptual figures. Jacques Lacan, Melanie Klein and Donald Winnicott’s theories are considered in order to understand the psychological development of Pinocchio’s character. Particularly, this essay considers the relationship between Pinocchio and the Fairy with Turquoise Hair, suggesting that the transformation of Pinocchio from a puppet to a child is the plastic representation of an inner evolution. Pinocchio’s escapes and mischiefs should be considered as part of a peculiar dialectic, played by Pinocchio himself and the Fairy, involving desire, lack and love. This work tries to explore the libidinal dynamics of this classical novel of children’s literature. lun., 15 janv. 2024 11:39:18 +0100 mar., 13 févr. 2024 11:01:12 +0100 https://www.peren-revues.fr/revue-k/903 https://www.peren-revues.fr/revue-k/919 The main idea on which this essay reflects is that Pinocchio’s inorganic materiality constitutes the metaphysical foundation of language. In this perspective, Pinocchio’s passage from puppet to man is to be understood not as a mutation of that foundation, which remains immutable, but as a movement of appearance that detaches itself from the foundation to access the historical dimension of finiteness. The focal point of the reflection is the relationship between Pinocchio and Geppetto. lun., 15 janv. 2024 11:48:10 +0100 lun., 15 janv. 2024 11:48:24 +0100 https://www.peren-revues.fr/revue-k/919 https://www.peren-revues.fr/revue-k/906 Pinocchio was written by Carlo Collodi in 1882-83. Peter Pan was created by James Matthew Barrie in 1904. This article proposes a reading of the adventures of the two heroes that goes beyond the usual moral and pedagogical analyses of these stories. The aim of this text is to show how these two characters embody the return to the mythical dimension of childhood, that is opposed to the loss of meaning in the industrial and bourgeois world, an opposition, unfortunately doomed to failure and that illustrates the tragedy of childhood. lun., 15 janv. 2024 11:46:57 +0100 lun., 15 janv. 2024 11:47:14 +0100 https://www.peren-revues.fr/revue-k/906