https://www.peren-revues.fr/revue-k/927 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1697 This article examines Robert Bresson’s concept of the “cinematograph” as a practice aimed at revealing inner movement and spiritual action beyond psychology. Through Diary of a Country Priest, A Man Escaped, and Pickpocket, it highlights aesthetic reduction, rhythm, and gesture as forms of a “physics of the soul”, read in dialogue with Kierkegaard’s philosophy of faith, choice, and the paradoxical leap that opens a new temporality through Grace. dim., 18 janv. 2026 20:00:54 +0100 dim., 18 janv. 2026 20:00:54 +0100 https://www.peren-revues.fr/revue-k/1697 https://www.peren-revues.fr/revue-k/1684 This essay aims to place Kierkegaard’s philosophy in the context of destitution, tracing the idea of the temporality of the event, through the concept of “moment” as it is thought in Philosophical Fragments (1844). In Philosophical Fragments, through the category of moment, the unprecedented status – anti-philosophical and anti-dialectical status – of Kierkegaard’s concept of truth arises. Indeed, the moment is not the place where truth become, but that one in which it happens. dim., 18 janv. 2026 19:28:42 +0100 dim., 18 janv. 2026 19:29:27 +0100 https://www.peren-revues.fr/revue-k/1684 https://www.peren-revues.fr/revue-k/924 Addressing in particular the first three chapters, the contribution undertakes to reveal how the text, Le Avventure di Pinocchio, represents an unsuspected revolt against kings, sovereigns and more generally the figure of the father. It is done through the use of irony and more generally by distancing itself from the logic of identity. lun., 15 janv. 2024 11:48:45 +0100 lun., 15 janv. 2024 11:49:02 +0100 https://www.peren-revues.fr/revue-k/924