https://www.peren-revues.fr/revue-k/947 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/943 Pinocchio’s myth is an invite to think the “I” in different aspects: human, organic, material. In Pinocchio (live) by Alice Laloy (a play between choreography and puppetry), children are turned into puppets under the eyes of the spectators. At the end, they offer a “trance-dance”, with a choreographic gesture between mechanical and living bodies. From children to puppets, from inanimate body to dance, how can the choreographic gesture be seen as an alienation’s process? lun., 15 janv. 2024 12:13:38 +0100 mar., 13 févr. 2024 11:20:28 +0100 https://www.peren-revues.fr/revue-k/943