https://www.peren-revues.fr/revue-k/95 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/92 The essay attributes to the figure of Antigone a destituent power capable of sovverting a idea of politics based on death. In this sense, Antigone looks like not only as anti-dialectical figure, but as political figure too; in fact, she is not fighting against the Creon, as Hegel declares, she is leaving rather the weight of its violence: Antigone is not against power but she is far from it. In this way she shows to the chorus - the people of Thebes - her uncle’s tyrannical power. mar., 28 nov. 2023 11:12:55 +0100 ven., 19 janv. 2024 15:19:44 +0100 https://www.peren-revues.fr/revue-k/92 https://www.peren-revues.fr/revue-k/1040 This essay engages with Franca Rame’s re-writing and performance of the myth of Medea through the lens of an Agambean theoretical framework. More specifically, I put Rame’s Medea in dialogue with two of her other “obscenely tragic” monologues, Maria alla croce (from Dario Fo’s Mistero Buffo), and Io, Ulrike grido, to show how the Italian playwright/actress envisions the destituent power of a female subjectivity that she re-imagines as a “perpetually construed and constructable” process. jeu., 18 janv. 2024 13:36:07 +0100 jeu., 18 janv. 2024 13:36:22 +0100 https://www.peren-revues.fr/revue-k/1040