https://www.peren-revues.fr/revue-k/991 This article aims to interpret the myth of Medea as an experience of strangeness based on a nietzschean understanding of the experience. Indeed, Medea is able to disturb our « pulsional configuration », which means shifting the balance power and overturning the way of organizing our human experience. To achieve this, we propose to follow four artistic interpretations of this myth: Medea in the Pasolini’s and Seneca’s works, the staging of the Cherubini’s opera by Krzysztof Warlikowski, and Medea Stimmen of Christa Wolf. Numéros Medea and the laceration of Care Essays fr mar., 16 janv. 2024 11:58:06 +0100 mer., 17 janv. 2024 14:35:58 +0100 https://www.peren-revues.fr/revue-k/991 0