How to “Reshape the Contours of Northern Irish Drama”? The Neo-Brechtian Use of Music in The Belle of The Belfast City (1989) by Christina Reid
DOI : 10.54563/coupdetheatre.1141
p. 185-202
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Référence papier
Virginie Privas-Bréauté, « How to “Reshape the Contours of Northern Irish Drama”? The Neo-Brechtian Use of Music in The Belle of The Belfast City (1989) by Christina Reid », Coup de théâtre, 25 | 2011, 185-202.
Référence électronique
Virginie Privas-Bréauté, « How to “Reshape the Contours of Northern Irish Drama”? The Neo-Brechtian Use of Music in The Belle of The Belfast City (1989) by Christina Reid », Coup de théâtre [En ligne], 25 | 2011, mis en ligne le 24 septembre 2025, consulté le 17 octobre 2026. DOI : 10.54563/coupdetheatre.1141
Auteur
Virginie Privas-Bréauté
Has been studying Northern Irish contemporary drama since she completed a phD thesis on Anne Devlin’s After Easter (1994) and Stewart Parker’s Pentecost (1987) in November 2007. She has been a teacher in English at the Université Jean Moulin (Lyon 3) since 2002.
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