Mourir comme un chien
DOI : 10.54563/revue-k.185
Résumé
This article deals with guilt and shame as the unifying threads of Kafka's novel The Trial. What is the object or the ground of guilt - what makes it arise? Or it is maybe rather some sort of a mood, an inclination - unrelated to any distinct object? How does shame as a "pure affect" appear as the Doppelgänger of guilt and projects it into the ontological dimension? Shame is a breach that opens up in the fortress of the human subject and this is why guilt appears to be, at the end, unescapable.
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Référence électronique
Alain Brossat, « Mourir comme un chien », K [En ligne], 1 | 2018, mis en ligne le 01 décembre 2018, consulté le 17 février 2025. URL : http://www.peren-revues.fr/revue-k/185